Recent Projects

Crafted and captured content of a Brand new Irish Bar in Wakefield centre. My role consisted of thinking of general content ideas(posters, reels etc,). typically in this role during open hours I would take video/photos of people dancing, ordering at the bar, the live musicians preforming and other atmosphere based content. On photos side I took pictures of the customers and pictures of the acts, which benefited for collaboration, networking and content which both the bar could post but also the acts that were playing.

A fully self-produced, broadcast-ready radio drama created as my final year university project. I handled every stage of production independently from pre-production research, scripting, casting, Foley planning, and scheduling, to full sound design, editing, and mastering. The task was to produce a radio show and pick a radio best suited.

Produced in Logic Pro with immersive Dolby Atmos surround sound, “The Highroller” showcases detailed Western-inspired sound design, including authentic Spaghetti Western gunshots and original Foley. This project highlights my skills in narrative audio production, voice direction, and high-end post-production. Designed for professional broadcast and optimized for a immersive cinematic listening experience

Sound Design Supervisor for

Generation Gambit

(University of Salford quiz show). Composed original score, sourced/recorded custom SFX, and managed on-floor audio operations with a audio technician on mics for live capture.

Handled mixing for live broadcast deliverables .

*(Click image to view full show.)*

As part of a university project focused on camera and lighting techniques, including key and three-point lighting, I collaborated with a team of four to produce “My Love of Music.” This documentary delves into diverse musical passions, featuring interviews with a vinyl collector, a DJ, a music student, and theatre enthusiast. Each team member conducted and produced an interview; my contribution features an insightful conversation with a fellow music student, delving into their personal journey and passion. In the post-production phase, I led the editing process, integrating footage from all contributors to craft a cohesive narrative.

This is my showreel full of some of the things I've worked on in the past and a insight to what I can do. The Showreel its self is all shot and edited by me using davinchi resolve, after effects and Logic Pro. so you can really get to know what I can do.

Produced short-form video and photo content for influencer @vicivail (87k+ followers) under Limitless Talent, a creative agency supporting OnlyFans creators. I handled videography and photoshoots tailored for Instagram and TikTok, ensuring all content remained SFW while strategically promoting her subscription platform.

Each piece aligned closely with her personal brand, utilizing viral hooks and platform-specific formatting to maximize reach and engagement. Highlights my strengths in influencer collaboration, and creating social-first conten. Photo link to vicivails Instagram page. 

Studio Camera Operator

As part of a 16 person, student-led production team, I operated a broadcast standard studio camera for this live-format Christmas special. Working in a four person camera unit with more on the floor and studio control room, I collaborated closely with the floor team, director, producers, and VFX crew to deliver a seamless multi-camera recording. During pre-production, I conducted research into live broadcast techniques, scouted locations, and studied comparable TV segments to inform the creative and technical approach.

As apart of the Television drama module at the University of Salford, I undertook the role of Sound Recordist and Music Composer for a television drama production. In this capacity, I captured high-quality dialogue recordings and contributed to the creation of sound elements incorporated into the final edit. Although my responsibilities did not extend to sound design or editing, I composed, recorded, and mixed an entirely original score for the project. This experience honed my skills in audio recording and music composition within a collaborative production environment, enhancing my proficiency in delivering audio assets that align seamlessly with visual narratives.

The New Music Biennial 2025 was a celebration of contemporary British music hosted in Bradford as part of the UK City of Culture programme. It was hosted by PRS Foundation, Bradford 2025, BBC Radio 3, and NMC Recordings. This three-day event took place from June 6th to 8th, 2025, across multiple venues in Bradford, such as Bradford Cathedral, Loading Bay, The Underground, and St George’s Hall.

This role also allowed me to work alongside some great Award-winning photographers and videographers. (plus connect with other professionals such as sound engineers and stage directors. )

The recordings from Bradford were recorded by NMC Recording and broadcast on BBC Radio 3. And will be hosted again in London at the Southbank Centre. 

Highlight photos (click the photo below).